Lenses

With its normal perspective, fast maximum aperture, and high-end design, the Planar T* FE 50mm f/1.4 ZA Lens from Sony is easy to see as a go-to standard optic for full-frame E-mount shooters. The 50mm focal length excels as an all-around field of view, suitable for portraiture, landscapes, and more, and the bright design offers creative depth of field control and low-light

performance.

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- E Mount Lens / Full Frame Format

- One AA Element & One Aspherical Element

- Aperture Range: f/1.4 to f/16

- One Extra-Low Dispersion Element

Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture and the lens is also distinguished by a sleek, portable profile for all-day shooting.

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- E Mount/Full-Frame Format

- Two XA elements, Three ED Elements

- Aperture range: f/1.4 to f/16

- Nano AR and Fluorine Coatings

A classic wide-angle prime with an updated, sleek form factor, the Sony FE 35mm f/1.4 GM is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.

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- E Mount Lens/Full Frame Format

- Two XA Elements, One ED Element

- Aperture range: f/1.4 to f/16

- Nano AR II and Fluorine Coatings

Updating a tried-and-true optical design for use with full-frame Sony E-mount mirrorless cameras, the Batis 85mm f/1.8 from ZEISS is a portrait-length, short telephoto lens featuring a fast maximum aperture for greater focus control and enhanced low-light shooting. 

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- E Mount Lens/Full Frame Format

- Three low dispersion elements

- Sonnar optical design

- Aperture range f/1.8 to f/22

The DJI DL 24mm F2.8 LS ASPH Lens is a professional full-frame prime lens. Featuring light-weight carbon fiber casing, the lens is able to reduce the payload of the gimbal, improving overall stability while shooting. With the DJI DL mount (diameter: 58mm), the DJI DL 24mm F2.8 LS ASPH can be mounted onto Zenmuse X7 and X9 Gimbal Cameras to meet the needs of different focal lengths.

The DJI DL 35mm F2.8 LS ASPH Lens is a professional full-frame prime lens. Featuring light-weight carbon fiber casing, the lens is able to reduce the payload of the gimbal, improving overall stability while shooting. With the DJI DL mount (diameter: 58mm), the DJI DL 35mm F2.8 LS ASPH can be mounted onto Zenmuse X7 and X9 Gimbal Cameras to meet the needs of different focal lengths.

The DJI DL 50mm F2.8 LS ASPH Lens is a professional full-frame prime lens. Featuring light-weight carbon fiber casing, the lens is able to reduce the payload of the gimbal, improving overall stability while shooting. With the DJI DL mount (diameter: 58mm), the DJI DL 50mm F2.8 LS ASPH can be mounted onto Zenmuse X7 and X9 Gimbal Cameras to meet the needs of different focal lengths.

One of the finest telephoto zoom lenses in the EF line, comparable to a single focal length lens. It has four UD-glass elements to correct chromatic aberrations. The newly designed multiple zoom groups for inner focusing bring high image quality throughout the entire zooming range. Compatible with Extender EF 1.4x II and 2x II.

The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance, water-resistant, ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture is effective in low light situations and offers shallow depth of field focus control. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Its ultrasonic motor (USM) and improved AF algorithms will help the lens to focus faster and quieter. 

This EF-S lens brings true wide-angle to tele coverage to EOS 20D and Digital Rebel shooters. It has Canon's Image Stabilization system, allowing safe hand-holding at speeds up to three stops slower than otherwise possible. And of course, it's optically optimized for digital SLRs. A ring-type USM means both fast and silent AF, as well as full-time manual focus when in the AF mode.

Capture crisp, cinematic images when using your full-frame cinema camera with this PL-mount 35mm T2.1 FF-Prime Cine Lens from Meike. The 35mm prime adds to the Meike FF Prime series of lenses that features a 45mm image circle for full-frame sensor coverage. This prime lens has a fast T2.1 maximum aperture, standard 0.8 MOD focus and iris gears, and an 11-bladed iris for smooth, rounded bokeh.

Capture crisp, cinematic images when using your full-frame cinema camera with this PL-mount 50mm T2.1 FF Prime Cine Lens from Meike. The 50mm prime adds to the Meike FF Prime series of lenses that features a 45mm image circle for full-frame sensor coverage. This prime lens has a fast T2.1 maximum aperture, standard 0.8 MOD focus and iris gears, and an 11-bladed iris for smooth, rounded bokeh.

Capture crisp, cinematic images when using your full-frame cinema camera with this PL-mount 24mm T2.1 FF Prime Cine Lens from Meike. The 24mm prime adds to the Meike FF Prime series of lenses that features a 45mm image circle for full-frame sensor coverage. This prime lens has a fast T2.1 maximum aperture, standard 0.8 MOD focus and iris gears, and an 11-bladed iris for smooth, rounded bokeh.

Distinguished by a uniquely fast and versatile design, the Canon EF-mount Sigma 18-35mm f/1.8 DC HSM is an Art-series zoom, covering wide-angle to normal focal lengths. Separating itself from the pack, this zoom features an exceedingly bright f/1.8 constant maximum aperture, which suits its use in difficult lighting conditions and offers impressive depth of field control throughout the zoom range.